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Inspired by Schrödinger's Cat paradox, Ana de Alvear's multiverses play with the quantum superposition of the existence or non-existence of these universes, resulting from their linkage to a random subatomic event that may or may not occur.
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In the "many worlds" interpretation formulated by Hugh Everett in 1957, the measurement process entails a branching in the temporal evolution of the wave function. The possibility that Schrödinger's cat is simultaneously alive and dead occurs, but in different branches of the universe, both of which are real yet incapable of interacting due to quantum decoherence.
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In this alleyway, where the cat is merely a pet, Ana de Alvear's multiverses wink at the viewer, who is once again compelled to ask whether the drawings are abstractions or an absolute realism of a paradoxical reality that may or may not exist.