Manual para hablar con Dios

Individual

Manual para hablar con Dios

Huanchaco

01 Sep 2021

Some Words

During the Spanish conquest, a new cosmogony was implanted in Latin America that displaced Father Sun and imposed a new Father God, who was at once one and triune.

Colonizing processes provoked the fusion of beliefs and cultures in which, as in any graft, over time a unique and peculiar organism is produced.

This impulse remains alive, re-imagining new forms of belief, sometimes even on the very street where one lives.

In 2016, I had the fortune to meet Alfa y Omega who, through their founder Antonio Córdova Quezada, have safeguarded the more than 4000 rolls of paper with original writings and drawings, which were dictated telepathically to Chilean citizen Luis Soto Romero in the 1970s.

In a utopia born from rupture, when darkness closes over the Chilean nation, Julio Soto Romero is speaking of a transition of our planet, which will become a paradise planet, far from the imperialism of the United States.

According to the cosmology of Alfa y Omega, the son of God has become man in 3 moments:
Moses who ended the pharaonic era. (Old Testament). Jesus who ended the Roman era. (New Testament). Luis Soto Romero who has come to end the American era. (Latin American Testament or Latin American Bible).

The telepathic rolls are dictated to Luis Soto Romero by Father Solar himself, in the 1970s, in a Chilean context where a right-wing dictatorship had been established through a military coup, as in many of the region's countries. The telepathic rolls that I have called "The Latin American Bible" disseminated a disruptive philosophy called "celestial communism with a child's thought," for which Luis Soto Romero would leave his homeland for Peru, where the military coup had imposed a reformist and anti-imperialist social dictatorship.

The mysticism of the telepathic rolls is absolute above all because it is written in a secret time known only to the one who writes and draws, proposing a gaze toward the future but returning from a gaze toward the past. In the rolls the solar figure reappears as an axis analogous to the Christian paternal figure and a superimposition of yearnings is revealed that tries to harmonize science and religion as diverse aspects of a sacred whole.

Reflecting on how it might be possible to re-connect with the solar father, I considered that the best way to emit a signal or call was through sound waves.

After conversations with Antonio Córdova Quezada, he allowed me access to the original telepathic rolls. Using a modern version of the Soviet ANS synthesizer we managed to translate the content of the Latin American Bible into sound waves that we methodically recorded, generating a musical score for its subsequent emission.

On August 22, 2016, in joint work with the musical group Vluba (experimental electronics with ufological tints), the sound score was executed as a ritual, in the middle of the Chilca desert, a privileged point of extraterrestrial contact since the 1970s.

The ritual was composed of a series of symbolic elements such as fire, cactus, stone, all of this constellating a concrete geometry.

The sounds of the Latin American Bible were emitted with an antenna on FM frequency in real time through a powerful radio transmitter, fusing ritual, sound and technology.

The next morning we discovered through the news that three minutes after having finished the transmission, a mysterious character appears who disturbs several people at a gas station next to the huaca of Pachacamac (40 km from Chilca).

The one called by the press the "Humanoid of Pachacamac" is recorded both by security cameras and by the mobile devices of those present.

Given the spatial-temporal coincidence and the synchrony in terms of meaning, we assumed the apparition as a response to our call.

After a month and a half of investigations, the Humanoid of Pachacamac adopts a concrete form: a researcher of the paranormal, after a meticulous analysis of the recordings, reaches the conclusion that the apparition is a helium balloon, specifically an inverted Bugs Bunny balloon.

What's up, doc?

Trying to penetrate the possible meaning of the transformation of the response into a concrete image, I concluded that it was best not to violate its nature with symbolic or literary interpretations but to let the newly appeared character speak to me with its own voice.

If there is something that Bugs Bunny repeats in an obsessive and disconcerting manner, it is the phrase "What's up, doc?", so I interpreted this phrase literally as a message and simultaneously as the indication of the place where I should continue my path: the huaca of Pachacamac.